Seedance בעברית.
בלי מבטא.

Single continuous shot, 9s total, 9:16
Total: 9s / 1 shot / 9:16

@Image 1 defines the location and film look only: the busy 1970s film studio sound stage with the vintage 35mm studio camera on a dolly, tungsten lights and cables. Do not copy the pose from @Image 1.
@Audio 1 is the spoken dialogue of @dalia, in Hebrew, starting at 0.3s. @dalia speaks exactly @Audio 1 — the same words, the same voice, the same timing and intonation; her lips and jaw follow it syllable for syllable and rest closed in its pauses. Do not add, change or invent any words. Nobody else speaks; @yoni and @monsieur never speak.
The line, syllable by syllable (CAPITALS = stressed syllable): "ve-AZ MEI-pel GRA-fiks nikh-NAS la-a-vo-DA: bo-KHER TEI-kim, kho-TEKH, tso-VE-a, mo-SIF GRA-fi-ka ve-SA-und... le-VAD."
Pronunciation: native Israeli Hebrew exactly like @Audio 1, including the two brand words "MEI-pel GRA-fiks", which are said the Israeli way, not the English way. Every R is the guttural Hebrew R from the back of the throat, never the English R. Pure short vowels: "bo" and "tso" are a clean short O; "nikh" is a clean short I with a throaty KH. "ve-SA-und" has a clear, hissing S, never a T. Unaspirated T and K. Never an English or American accent.

[GLOBAL LOOK – LOCKED]
1970s feature film on 35mm color negative: visible grain, soft halation on the tungsten lights, warm practical light, real skin texture. Natural eyes: both eyes always look in the same direction. No on-screen text, no subtitles.

[SET]
Behind the action, a huge painted backdrop in the style of an old classical religious painting: figures in billowing robes rising among golden clouds. An open window in the stage wall at the right.

[PERFORMANCE – REAL, NEVER STATIC]
Talking is a by-product of action; constant natural body life, glances between characters, crew moving through frame, handheld camera with imperfect framing.
Hands: @dalia gestures only with an open flat palm, all fingers together. She never raises a single finger and never counts on her fingers. Her hands never cover her mouth.

[CAST]
@dalia — the director on the move, brisk and confident.
@yoni — the actor posing heroically in front of the painted backdrop.
@monsieur — the boom operator, silent and utterly deadpan.

SHOT 1 — 0:00–0:09 — handheld, the camera walking backward in front of @dalia
From 0:00 to 0:03 the framing is a close medium shot: @dalia's face is large, frontal and unobstructed in the frame, close to the lens, as she says "ve-AZ MEI-pel GRA-fiks nikh-NAS la-a-vo-DA" straight to the lens. Then the camera gradually pulls back as she keeps walking briskly across the set toward the lens, stepping over cables, presenting each job with a quick flick of her open palm toward the set, glancing back once at the set. Behind her, in front of the painted backdrop, @yoni strikes heroic poses while @monsieur holds the boom pole with one hand and shadowboxes the air with the other, dead serious, then lets the microphone drop onto @yoni's head — @yoni flinches and rubs his head. On her last word, without looking, @dalia picks a round metal film can off a cart and tosses it over her shoulder out of the open window, and keeps walking past the lens.
Sound: her voice exactly as @Audio 1, footsteps, light hum, the bonk of the microphone, the can whooshing out. No music. No musical score.

Total: 9s / 1 shot / 9:16. Same faces and wardrobe as the Visual DNAs.

Single continuous shot, [DURATION]s total, 9:16
Total: [DURATION]s / 1 shot / 9:16

@Image 1 is [NAME], the only person who speaks: keep the exact face, hair and wardrobe from @Image 1 in every frame.
@Audio 1 is [NAME]'s spoken line, in Hebrew, starting at [0.3]s. It is the reference for the delivery: the rhythm, the pauses and the intonation[, and the voice itself]. [NAME] says exactly the words of @Audio 1, with its exact timing. Do not add, change or invent any words. Nobody else speaks.
The line, syllable by syllable (CAPITALS = stressed syllable): "[THE SEEDANCE LINE, e.g. sha-LOM, ma nish-MA?]"
Pronunciation: native Israeli Hebrew exactly like @Audio 1. Every R is the guttural Hebrew R from the back of the throat, never the English R. KH is a throaty KH. T and K are unaspirated. Short, pure vowels. Never an English or American accent.
Lip sync: [NAME]'s lips and jaw follow the Hebrew sounds of @Audio 1 syllable for syllable. The mouth closes fully in every pause of @Audio 1 and stays closed while silent. The hands never cover the mouth.

LOOK: [the film look and the light, e.g. shot on 35mm film, soft window light, real skin texture]. Lens: [e.g. 50mm, shallow depth of field]. Natural eyes: both eyes always look in the same direction. No on-screen text, no subtitles, no captions.

LOCATION: [where the shot happens, in one or two sentences].

PERFORMANCE, REAL AND NEVER STATIC: talking is a by-product of action; constant natural body life; handheld camera with imperfect framing. [NAME] is [the emotion, e.g. amused and a little bossy], talking in a natural, conversational voice recorded live on location, never like a radio announcer or a voice-over. Hands: open flat palm gestures only, all fingers together; never a single raised finger, never counting on fingers.

SHOT 1, 0:00 to 0:[DURATION], [the camera, e.g. handheld medium close-up, the face large, frontal and unobstructed]:
[What the speaker does before, during and after the line.]

Sound, all of it generated together in this one generation, as one take: [NAME]'s voice saying the line of @Audio 1, [the room sound or ambience], [the sounds of the actions]. The dialogue, the ambience and the effects are created at once, as a single unit in sync with the lips and the body: no separate layers, nothing added piece by piece. No music. No musical score.

Total: [DURATION]s / 1 shot / 9:16. Same face and wardrobe as @Image 1.